Aletti, Vince (2014) Introduction. DARK KNEES

Aletti, Vince, (2007) Introduction. TRUE COLOR

Allen, J. and McNear S. (2016) The Photographer in the Garden, Apeture Books

Carr, Carolyn, “An Interview with Photographer Mark Cohen,” Dialogue, Akron Art Institute,Akron, OH, May-June 1979, pp.13-16, illus.

Clarkson,Stacy; HARPER"S illus. [boy and chain,19

Coleman, A. D., “From Repetitious to Monotonous and Distorted”, The New York Times, January 26, 1974, Sect. 2, p.29.

Collins, James, (Review), Art Forum, vol. 12, no. 6. March 1974, p.76, illus.

Doty, Robert, ed., “Photography in America”, Random House, New York City, 1975, Introduction by Minor White, illus., p. 244, Exhibition Catalogue.

DuFour, Diane ed. (2014) DARK KNEES EDITIONS XAVIER Barral, Paris

Eauclaire, Sally, “Mark Cohen at Castelli Graphics” (Review), Art in America, vol. 67, no.3, May-June, 1979, p. 147, illus.

Eauclaire, Sally, “The New Color Photography, Abbeyville Press, NY, 1981.

Engler, Michael, “American Photography”, Cinoki Productions NOR-TV, Hamburg, West Germany, 1982, (Documentary Film).

Esders, Viviane, “A la Recherche du Pere”, Paris, Audiovisuel, 1993.

FLORENCE,Yanni PATAPHYSICS MAGAZINE . MIRAGE ISSUE , Melbourn,Australia 2015

Frackman, Noel, “Mark Cohen” (Review), Arts Magazine, vol. 51, no. 8, April 1977, p. 29, illus.

Gruber, L. Fritz, “The Imaginary Photo Museum”, Koln, Dumont, West Germany, 1981.

Hagen, Charles, “Mark Cohen: an Interview”, Afterimage, vol. 6, no. 6, January 1979, pp. 12-16, illus.

Hartwell, Ted, “Photography in collection of Minneapolis Institute of Arts”, 1979.

Heiferman, Marvin, “Five Minutes in Mexico”, Exhibition Catalogue, 1989.

Jones, Tiffany, fLIP Magazine, March 2011 interview.photos,London Independant Photography

Lifson, Ben, Village Voice, December 18, 1978.

Livingston, Jane, “Mark Cohen”, Exhibition Catalogue the Corcoran Gallery of Art, Washington.

Longwell, Dennis, “Mark Cohen’s Works”, Camera Mainichi, no. 252, October 1974, pp. 243-249,, illus

Lyons, Nathan, Editor, “Vision and Expression”, Exhibition Catalogue, Horizon Press, New York City, 1968, p.56, illus.

Maddow, Ben, Editor, “Faces”, Chanticleer Press, New York City, 1977, pp. 378-379.

Melamed, Samantha, 28 October 2016, Interview. Philadelphia Inquirier

Mobilio, A. (2015). Dark Knees (review) Bookforum.

Naef, Weston, “Counterparts and Affinities”, Exhibition Catalogue, The Metropolitan Museum of Art, New York City, 1981.

Naggar, Carol & Ritchin, Fred, “Mexico through Foreign Eyes”, Exhibition Catalogue, Norton, NY, 1990

Ollman,Leah,LA Times Review, Rose Gallery 2009

Park, Soonki [Sign and Photography ] SAJINYESUL

Perloff, Stephen, Editor, “Portfolio”, The Philadelphia Photo Review, vol. 5 no. 2 & 3m, Winter 1981, pp. 12-13, illus.

Poli, Kenneth, “Persistence of Vision”, Popular Photography, vol. 80, no. 4, April 1977, pp. 104-105, 134-137, 141, 1llus.

Porter, Allan, Editor, “A Concise Chronology of Instant Photography, 1947 – 1974”, Camera, no.10, October 1974, p. 57, p. 43. Illus.

Porter, Allan, Editor, “Mark Cohen Photographer, a Monograph”, Camera, no. 3, March 1980, Interview by Michael Sigrin, illus.

Porter, Allan, Editor, “Photographis Interruptus”, Camera, November 1977, pp. 6, 35, pp. 7-14, illus

Power, Mark, “Street Shots”, the Washington Post, (G2) March 14, 1987.

Rufinfien, Leo, “Mark Cohen: Leo Castelli Uptown…” (Review), Artforum, vol. 15, no. 8, April 197, pp.69 –70, illus.

Scully, Julia and Andy Grundberg, “Currents: American Photography Today”, Modern Photography, vol. 43, November 1979, pp. 110 – 113, 187 – 194 illus.

Shirtless Boy with Chain (illus.) October 2015, Clarkson, Stacey, Ed. Harper's Magazine

Sobieszek, Robert A., “Masterpieces of the Eastman House Collection”, Abbeville Press, NY, 1985

Squiers, Carol, “Mark Cohen: Recognized Moments”, Artforum, vol. 16, no. 7, March 1978, pp. 22-25, illus.

Szarkowski, John, “Mirrors and Windows: American Photography since 1960”, Exhibition Catalogue, The Museum of Modern Art, distributed by New York Graphic Society, Boston, MA, 1978

Thorton, Gene, “How Display Selection May Distort Artistic Intent”, The New York Times, February 13, 1977, sect, 2, p. 3.

Thorton, Gene, “They Must Mean Something”, The New York Times, April 1, 1973, sect. 2, p.18.

Tucker, Anne and Southall, Thomas, Grim Street (2005) Powerhouse Books.

Westerbeck, Colin, “Mark Cohen”, (Review), Artforum, vol. 5, January 1982, p. 77.

Weiss,Marta; Autofocus The Car in Photography, Thames& Hudson.V&A

White, Minor in Robert Doty, Ed. (1975), Photography in America, Random House, New York City, 1975, p. 244, Exhibition Catalogue.

1962 Penn State University, University Park, PA

1965 Wilkes College, Wilkes-Barre, PA

1967 Spanish National Tourist Office, NYC

1968 William Penn Memorial Museum, Harrisburg, PA

1973 The Museum of Modern Art, NYC

1974 International Museum of Photography, George Eastman House, Rochester, NY

1975 Art Institute of Chicago

1976 Visual Studies Workshop, Rochester, NY

1977 Castelli Graphics, NYC

1978 University of Colorado, Boulder

1979 Castelli Gallery, NYC

1980 Corcoran Gallery of Art, Washington, DC

1984 Jones Troyer Gallery, Washington , DC

1986 Zabriskie Gallery, NYC

1987 Galerie Zabriskie, Paris

1989 Sordoni Art Gallery, Wilkes University, Wilkes-Barre, PA

1990 Berman Museum of Art, Ursinus College, Collegeville, PA

1990 Zabriskie Gallery, NYC

1991 Drew University, Madison, NJ

1992 Muhlenberg College, Allentown, PA

2001 TRESSPASS Bruce Silverstein Gallery,NY

2002 INVISIBLE new work Bruce Silverstein Gallery, NY

2005 Grim Street Bruce Silverstein Photography, NY

2005 Rose Gallery, TRUE COLOR Santa Monica

2010 Philadelphia Museum of Art STRANGE EVIDENCE

2011 Blue Sky Gallery, GRIM STREET Portland ,OR

Light Gallery, NYC

Marlborough Gallery, NYC

2013 Le Bal, Paris

???? Pennsylvania Academy of Fine Arts, Philadelphia, PA

Etc

Go to Google Sheet and add years for all group exhibitions